aesop publications: overview
aesop publicationsconsist of a number of enterprisesunder the aesop banner, including: BANMINES: The Internet Petition to Ban Landmines Worldwide - created in September 1997, a week after the death of Princes Diana, Banmines is still going strong six years later. AESOP CLASSICS: online versions of classics, edited and designed by AESOP and currently including: Aesop Fables (Turning Pages version) Aesop Bible: online version of the King James Version of the Old and New Testaments Aesop Canterbury Tales (Turning Pages version) Aesop Shakespeare: online version of the Complete Works of Shakespeare AESOP MODERN: original fiction and contemporary literature including: Salamanders: online version of Pete Murphy's blistering contemporary thriller Black Masks: online version of John Fraser's selected fiction and poems The Magnificent Wurlitzer: online version of John Fraser's classic contemporary fictional odyssey The Red Tank: online version of John Fraser's new collection of novellas ‘A serious novelist from the beginning. I have always been tremendously impressed by both the conceptual depth and the fey fantasy of all that Fraser does – not to mention the politics.’ (John Fuller) AESOP MEDIA: online versions of film and TV tie-ins including: Bullshot: online version of Martin Noble's novel based on the screenplay by Alan Shearman, Ron House and Diz White Private schulz: online version of Martin Noble's novel based on the screenplays by Jack Pulman Who Framed Roger Rabbit: online version of Martin Noble's novel based on the screenplay by Jeffrey Price and Peter Seaman. AESOP SPECIAL PUBLICATIONS: including: A Dream of Stairs: searing cycle of poems by Susan Angelino. AESOP LATESHOW: mystery and horror including: Trance Mission: online version of Martin Noble's horror novel other AESOP books: available both online and to purchase as CD-ROMs.
‘A serious novelist from the beginning. I have always been tremendously impressed by both the conceptual depth and the fey fantasy of all that Fraser does – not to mention the politics.’ (John Fuller)
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Oxford, UK
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